Carl Johan Hane

Carl Johan Hane

 

Carl Johan Hane (born 1965) works as an art director and graphic designer with clients such as Swedese Furniture, Skanska, Scope Capital and Vattenfall, to name a few. From the mid-1990s, he had a 10-year collaboration with Kinnasand and designed a number of high profile textiles,  including a representation in the National Museum’s collections as a result.

 

With a designstyle, well anchored in the Scandinavian tradition, combined with his love for all kinds of colors, happy and energetic as well as quiet and meditative, makes his textiles a natural part of Borås Cotton’s collection.

 

“Oftentimes, it is said that strong colours and shapes are too demanding in a room. I don´t agree at all. On the contrary, I think big; bold and colourful patterns are actually quite calm and comforting. They give a room a personality that serves as a great backdrop for people and pieces of furniture”, says Carl Johan Hane

 

 

Fabrics designed by Carl Johan Hane:
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Ocean,as the name suggests, a pattern that may bring to mind waves, but maybe also rolling countryside or a burning evening sky. "The original idea comes from the Österlen landscape that surrounds me in the summer, cultivated fields in shades of green, yellow and brown. Nature is indeed a superior designer, but I think the Ocean has a nice,  distinctive rhythm." says Carl Johan Hane.

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Ocean, as the name suggests, a pattern that may bring to mind waves, but maybe also rolling countryside or a burning evening sky. “The original idea comes from the Österlen landscape that surrounds me in the summer, cultivated fields in shades of green, yellow and brown. Nature is indeed a superior designer, but I think the Ocean has a nice,  distinctive rhythm.” says Carl Johan Hane.

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Ocean,as the name suggests, a pattern that may bring to mind waves, but maybe also rolling countryside or a burning evening sky. “The original idea comes from the Österlen landscape that surrounds me in the summer, cultivated fields in shades of green, yellow and brown. Nature is indeed a superior designer, but I think the Ocean has a nice,  distinctive rhythm.” says Carl Johan Hane.

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[post_title] => Ocean [post_excerpt] =>

Ocean, as the name suggests, a pattern that may bring to mind waves, but maybe also rolling countryside or a burning evening sky. “The original idea comes from the Österlen landscape that surrounds me in the summer, cultivated fields in shades of green, yellow and brown. Nature is indeed a superior designer, but I think the Ocean has a nice,  distinctive rhythm.” says Carl Johan Hane.

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Focus is like a vibrant, fractured grid. A mosaic where colors despite (or thanks to) their differences provide a living ensemble. "When I see the finished pattern, I get a feeling of trying to see the bottom of a pool sharply. Gleam, glitter, lots of colors."

-Carl Johan Hane

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Focus is like a vibrant, fractured grid. A mosaic where colors despite (or thanks to) their differences provide a living ensemble. “When I see the finished pattern, I get a feeling of trying to see the bottom of a pool sharply. Gleam, glitter, lots of colors.”

-Carl Johan Hane

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Focus is like a vibrant, fractured grid. A mosaic where colors despite (or thanks to) their differences provide a living ensemble. “When I see the finished pattern, I get a feeling of trying to see the bottom of a pool sharply. Gleam, glitter, lots of colors.”

-Carl Johan Hane

[post_title] => Focus [post_excerpt] =>

Focus is like a vibrant, fractured grid. A mosaic where colors despite (or thanks to) their differences provide a living ensemble. “When I see the finished pattern, I get a feeling of trying to see the bottom of a pool sharply. Gleam, glitter, lots of colors.”

-Carl Johan Hane

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Flow, with its flowing lines strive upward, forward. Around each other, into each other, the colored lines slide, seemingly without end. "It started with track, track of  tires on the asphalt, tracks of a rake in the summer sand. For me, the original idea is usually something that gives a direction, the finished pattern can easily end up anywhere else."

 

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Flow, with its flowing lines strive upward, forward. Around each other, into each other, the colored lines slide, seemingly without end. “It started with track, track of  tires on the asphalt, tracks of a rake in the summer sand. For me, the original idea is usually something that gives a direction, the finished pattern can easily end up anywhere else.”

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Flow, with its flowing lines strive upward, forward. Around each other, into each other, the colored lines slide, seemingly without end. “It started with track, track of  tires on the asphalt, tracks of a rake in the summer sand. For me, the original idea is usually something that gives a direction, the finished pattern can easily end up anywhere else.”

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Flow, with its flowing lines strive upward, forward. Around each other, into each other, the colored lines slide, seemingly without end. “It started with track, track of  tires on the asphalt, tracks of a rake in the summer sand. For me, the original idea is usually something that gives a direction, the finished pattern can easily end up anywhere else.”

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Ocean,as the name suggests, a pattern that may bring to mind waves, but maybe also rolling countryside or a burning evening sky. "The original idea comes from the Österlen landscape that surrounds me in the summer, cultivated fields in shades of green, yellow and brown. Nature is indeed a superior designer, but I think the Ocean has a nice,  distinctive rhythm." says Carl Johan Hane.

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